- #Fx photo studio pro vs aperture manual#
- #Fx photo studio pro vs aperture full#
- #Fx photo studio pro vs aperture series#
Plus, the focus ring motion is as smooth as can be. Also, both of the D-series of lenses offer aperture rings, which comes in handy when you’re switched over to video mode. Unlike the newer G-series of lenses, both of Nikon’s D lenses have a stopping point on either end up their focusing range, in which the focusing ring literally will not turn anymore (the focus ring on the G-series will continue to turn). However of the four, this is hands-down the one to go with if HDSLR is your thing. In fact, referring to it as “the Video Lens,” is somewhat unfair considering it does video and SO much more. While the optical design of this lens dates back to the late 70’s (this model came out in 1995 and is Nikon’s oldest lens still in production), there is a reason Nikon keeps this little guy in its lineup-it is truly a do-it-all lens.
#Fx photo studio pro vs aperture series#
Who should skip it: Those with entry-level DSLR’s and prosumers DSLR’s (D5000 series or lower). Who Should buy it: Those who are passionate about shooting video, those with mid-level or Pro DSLR’s (anyone with a D7000/D90 series or higher). We will post the results of that as soon as we get the lens in for testing.īest overall SQF results of the three lenses tested.
We are very excited to see how the 50mm f/1.8G compares to the 50mm f/1.8D lens in terms of our subjective quality factor test.
1 inches smaller thanks to the fact that it has one less element. It is also 3.37 ounces lighter than the 50mm f/1.4G lens and about. So if you are in the market for a 50, and have a D5000-series camera or lower and don’t want to spend an arm and a leg, this is your lens. Like its more expensive counterpart, this G-series lens plays nice with all Nikon DSLR’s. The 50 f/1.8D lens is the only one to feature an aspherical lens element, which helps to cut down on chomatic aberration, or the weird color fringe that can occur when shooting wide open. Of the four lenses, this is the only one we have not yet tested, but being the newest of the four definitely has its perks. Who should skip it: Those who want to use the lens to shoot video, those looking for a lens with a big f/1.4 maximum aperture.
#Fx photo studio pro vs aperture full#
Who Should buy it: Entry-level, Mid-level, prosumer and pro DSLR shooters (D3000-D3), those who want to take full advantage of Nikon’s newest lens technology, but are willing to sacrifice ½ a stop. The only lens of the four to feature an aspeherical element. While both the Nikon 50mm f/1.4G and the Nikon 50mm f/1.4D did very similarly in terms of our subjective quality factor test, the Nikon 50 f/1.4D consistently beat out the G lens by just a hair in overall quality at all apertures and sizes. If you are shooting with a D3000, D3100, D5000 or D5100 and crave low-light shooting, than this may be the lens for you (if low-light isn’t as important, we recommend taking a look at the cheaper 50mm f/1.8G lens).
#Fx photo studio pro vs aperture manual#
Because the D-series is lacking in that department, it has to rely on the body to drive the AF leaving those with lower-end DSLRs stuck on manual focus indefinitely. One of the biggest differences between the D- and G-series is that the G-series lenses have built-in Silent Wave Motors. It is also the only lens of the four to offer a 9-blade aperture-which likely means the most pleasing bokeh. Nikon’s most expensive is also its largest and heaviest, primarily because it has more glass elements than its competition. Who should skip it: budget-minded individuals, Those who want to use the lens to shoot video. Who Should buy it: Entry-level, Mid-level, prosumer and pro DSLR shooters (D3000-D3), those who want to take full advantage of Nikon’s newest lens technology. The only lens of the four to feature a 9-blade aperture.
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